Sunday, November 12, 2017

327. Libraries, the Tomb and Womb of Learning

My books

No Place for Normal: New York / Stories from the Most Exciting City in the World.  A selection of posts from this blog.

Historical fiction set in nineteenth-century New York:

1.  The Pleasuring of Men.  A young man becomes a male prostitute in the hidden gay world of that time.
2.  Bill Hope: His Story.  A street kid turned pickpocket pours out his story in a torrent of words.
3.  Dark Knowledge.  A young man fights to discover the truth about his family's involvement in the slave trade.

For details, see below.

Libraries


         Libraries have always been an important part of my life.  It started back in my childhood, when I was a bookworm far more interested in books than football, for which I paid a price.  I remember climbing the steps of the local library in Evanston, a Carnegie library in the usual Greek temple style  on Orrington Avenue, where I and a knowing classmate asked the librarian in charge for a slang dictionary.  “Why do you want it?” she asked, with a stern look.  “Because,” my savvy companion  explained, “we’ve been arguing in class about whether or not certain words are slang.”  This satisfied the guardian of the treasure, and she handed a bulky slang dictionary over, so we could feast our eyes on four-letter words that had soiled our ears but never confronted our tender psyches in print.  Later, to be sure, I matured enough to be admitted to the stacks, where I could find more constructive reading, albeit a bit less titillating.

         If libraries have come to mind now, it’s because my local branch here in New York, the Jefferson Market Library on Sixth Avenue at West 10th Street, is celebrating its fiftieth anniversary.  An abandoned courthouse given over to pigeons and rats, its Victorian Gothic splendor (or horror, if you dislike Victorian Gothic) had been in danger of demolition, but preservationists rallied to save it and have it renovated, so it could become the West Village’s branch library.  The preservationists won, and in 1967 the library opened and has been functioning ever since.  I was a patron right from the start, and on my last visit found a local artist installing a ground-floor exhibition of placards made by patrons of the library celebrating the anniversary.  My favorite:

A  BOOK  IS  A  DREAM  YOU  HOLD  IN YOUR  HAND

This message I intend to use, when exhibiting my books in next year’s New York City book fairs.

         Other libraries that come to mind:

·      The Chicago Public Library, a handsome neoclassical edifice on Michigan Boulevard that in my early teens I often went to on Saturdays in winter, fighting against the blasts of cold wind off the lake as I approached it from the L on Randolph Street.  In its spacious confines I perused regimental histories of the Civil War or, in a newspaper room where old men half-snoozed over newspapers in foreign languages, newspapers reporting the German conquest of Yugoslavia and Greece in 1941, soon followed by the invasion of the Soviet Union.  Doing this, I scribbled notes and absorbed wartime misinformation for an ambitious and quite futile personal history of World War II, ill-typed, that I in time had the wisdom to abandon.  (The library building is now the Chicago Cultural Center.)
·      The public library in Besançon, France, where aging provincial scholars snored softly over dusty tomes open on a table, or muttered softly to themselves while guarding vigilantly their piles of notes on tiny scraps of paper, lest some sudden breeze scatter the gleanings of research destined for some ambitious project already years in the making, but probably destined to remain unfinished.  I, on the other hand, was after some gem of French literature that always seemed to be out.
·      The public library in San Francisco, where I was allowed to roam the stacks and explore their collection of books on the West, and so for the first time learned of the Mountain Meadow Massacre in Utah, and Custer’s murderous cavalry attack on a Northern Cheyenne tribe that considered itself at peace with the U.S. government.
·      The public library in Anchorage, Alaska, where I worked one summer in a kitchen feeding workers on an army base.  Local residents glowed with pride as a second street was being paved, and boasted of their one palatial movie theater, as splendid as any in the then forty-eight states, that graced the other paved street in the city.  But my goal, when I went into town, was the library, a measly little quonset hut with a single librarian.  There I discovered the names of the wildflowers I was seeing in a wet meadow on the edge of town (forget-me-not, lupine, fireweed), and quickly ran through the scant offerings of English novels.
·      The Annex of the New York Public Library, a building off by itself on West 43rd Street between Tenth and Eleventh Avenues and known only to the knowing few.  There I examined old New York newspapers of the 1830s rarely consulted by anyone, and squinted for hours at the faint or fading print on microfilm of old newspapers and documents yielding information that I needed as background research for a biography I was writing.  (Microfilms of old newspapers are now available at the main building on Fifth Avenue at 42nd Street.)
·      The Jersey City Public Library, where my partner, Bob, the reference librarian, got me access to the stacks, where I examined dusty old books (now probably discarded) about the Canadian wilderness of the early 1900s.  Taking notes on these accounts helped me recreate the semi-mythical Great North Woods of my father’s stories, told to me and my brother when we were little, stories seasoned with stalking grizzlies, streams full of surging salmon massacred by eagles, and shadowy, ominous plains described by my father as the Wolf Country.
·      The new Evanston Public Library, built on the site of the old Carnegie building on Orrington Avenue, which I visited when home with my family for Christmas, usually getting a book for my book-starved mother.  No Greek temple now, and no stairs mounting to the entrance.  In the front hall just inside, was a huge fireplace with a roaring fire and chairs where, sheltered from the raw Midwestern winter, one could enjoy a quiet read in cozy warmth.
·      The New York Genealogical and Biographical Society library in Midtown, where I once went to search in vain for relevant information about the forgotten Wall Street financier Daniel Drew.  I and the elderly librarian were the only ones on the premises, until an ancient, fragile couple arrived to trace their ancestry in a lethal quiet worthy of a tomb.  (Today the Society offers vast amounts of information online.)
·      The main building of the New York Public Library, now called (since donors must be honored) the Stephen A. Schwarzman Building, at Fifth Avenue and 42nd Street, its superb Beaux-Arts façade guarded by two monumental lions facing the avenue.  Inside I did hours of research for any number of projects in the magnificent Rose Main Reading Room, where a number flashing at intervals on a screen signaled the arrival of more books requested by me, their bindings often tattered and crumbling, brought up by conveyor from the mysterious hidden stacks far below.

         Not to mention the Schwarzman’s Local History and Genealogy Room, and the Rare Books Division, where the librarian who admitted me asked me to clean my shoes on a doormat before entering, even though I had no intention of walking on the books.  And the Library of Congress in Washington, and the small libraries of Carmel and Brewster in Putnam County, New York, all of them useful to me when in the throes of some project of years gone by.  But I never got to the Bibliothèque Nationale in Paris, or the Vatican Library, or numerous other illustrious repositories of the printed word; there are, after all, limits to what one can do.
        
         We take the free public library for granted, but libraries were not always free.  In centuries past there were royal and imperial libraries, private libraries, and monastic libraries, but none of these was open to the public and free.  Fee-based circulating libraries and subscription libraries were common in Europe and America in the eighteenth century.  Prior to that, libraries in England and the American colonies were often parochial, or parish-based, in nature, sponsored by the Anglican church with a missionary purpose, and with their books often chained to the desks.  Having private libraries of their own, the ruling classes looked down on libraries that were open, with or without a fee, to the public. 

         Only in the latter half of the nineteenth century did the modern public library appear, funded by taxes and open and free to the public.  In the U.S. the middle class wanted libraries to promote middle-class values and the presumed upward march of civilization.  In 1893, when a public library opened in Butte, Montana, a rowdy mining camp of a town, it was meant to counteract the miners’ love of liquor, whoring, and gambling; hopefully, it did.  Today the public library is a vehicle for learning and open debate, and as such it is deemed necessary to democracy. 


         But the traditional main library, huge and imposing as in Chicago and New York, intimidated blue-collar and immigrant populations, for whom such buildings resembled bureaucratic labyrinths and halls of justice, or even prisons; to reach those people, small, easily accessible storefront branch libraries were necessary, as the role of the public library continued to evolve.  And over the last few decades the library has changed radically, with the coming of the Internet.  To quickly check or learn facts, why go to a library, when one can do it in minutes on the Internet?  The library will survive this, too, just as it has survived the political, military, and technological disruptions of the past, but to do so it must endlessly adapt.


BROWDERBOOKS
  

All books are available online as indicated, or from the author.

1.  No Place for Normal: New York / Stories from the Most Exciting City in the World (Mill City Press, 2015).  Winner of the Tenth Annual National Indie Excellence Award for Regional Non-Fiction; first place in the Travel category of the 2015-2016 Reader Views Literary Awards; and Honorable Mention in the Culture category of the Eric Hoffer Book Awards for 2016.  All about anything and everything New York: alcoholics, abortionists, greenmarkets, Occupy Wall Street, the Gay Pride Parade, my mugging in Central Park, peyote visions, and an artist who made art of a blackened human toe.  In her Reader Views review, Sheri Hoyte called it "a delightful treasure chest full of short stories about New York City."

If you love the city (or hate it), this may be the book for you.  An award winner, it sold well at BookCon 2017.


Review 

"If you want wonderful inside tales about New York, this is the book for you.  Cliff Browder has a way with his writing that makes the city I lived in for 40 plus years come alive in a new and delightful way. A refreshing view on NYC that will not disappoint."  Five-star Amazon customer review by Bill L.

Available from Amazon and Barnes & Noble.

No Place for Normal: New York / Stories from the Most Exciting City in the World

2.  Bill Hope: His Story (Anaphora Literary Press, 2017), the second novel in the Metropolis series.  New York City, 1870s: From his cell in the gloomy prison known as the Tombs, young Bill Hope spills out in a torrent of words the story of his career as a pickpocket and shoplifter; his brutal treatment at Sing Sing and escape from another prison in a coffin; his forays into brownstones and polite society; and his sojourn among the “loonies” in a madhouse, from which he emerges to face betrayal and death threats, and possible involvement in a murder.  Driving him throughout is a fierce desire for better, a persistent and undying hope.

For readers who like historical fiction and a fast-moving story.


browder-cover-9781681143057-perfect-2
Reviews

"A real yarn of a story about a lovable pickpocket who gets into trouble and has a great adventure.  A must read."  Five-star Amazon customer review by nicole w brown.

"This was a fun book.  The main character seemed like a cross between Huck Finn and a Charles Dickens character.  I would recommend this."  Four-star LibraryThing review by stephvin.

Available from Amazon.


3.  Dark Knowledge (Anaphora Literary Press, 2018), the third novel in the Metropolis series.  Release date January 5, 2018, but copies now available from the author.  Adult and young adult.  A fast-moving historical novel about New York City and the slave trade, with the sights and sounds and smells of the waterfront. More excerpts to come.

Browder - Cover - 9781681143675-Perfect - 2
The back cover summary:


New York City, late 1860s.  When young Chris Harmony learns that members of his family may have been involved in the illegal pre-Civil War slave trade, taking slaves from Africa to Cuba, he is appalled.  Determined to learn the truth, he begins an investigation that takes him into a dingy waterfront saloon, musty old maritime records that yield startling secrets, and elegant brownstone parlors that may have been furnished by the trade.  Since those once involved dread exposure, he meets denials and evasions, then threats, and a key witness is murdered.  Chris has vivid fantasies of the suffering slaves on the ships and their savage revolts.  How could seemingly respectable people be involved in so abhorrent a trade, and how did they avoid exposure?  And what price must Chris pay to learn the painful truth and proclaim it?

Early reviews

"A lively and entertaining tale.  The writing styles, plot, pace and character development were excellent."  Four-star LibraryThing early review by BridgitDavis.

"At first the plot ... seemed a bit contrived, but I was soon swept up in the tale."  Four-star LibraryThing early review by snash.

"I am glad that I have read this book as it goes into great detail and the presentation is amazing.  The Author obviously knows his stuff."  Four-star LibraryThing early review by Moiser20.


4.  The Pleasuring of Men (Gival Press, 2011), the first novel in the Metropolis series, tells the story of a respectably raised young man who chooses to become a male prostitute in late 1860s New York and falls in love with his most difficult client.

What was the gay scene like in nineteenth-century New York?   Gay romance, if you like, but no porn (I don't do porn).  Women have read it and reviewed it.  (The cover illustration doesn't hurt.)

Reviews

"At times amusing, gritty, heartfelt and a little sexy -- this would make a great summer read."  Four-star Amazon customer review by BobW.

"Really more of a fantasy of a 19th century gay life than any kind of historical representation of the same."  Three-star Goodreads review by Rachel.

"The detail Browder brings to this glimpse into history is only equaled by his writing of credible and interesting characters.  Highly recommended."  Five-star Goodreads review by Nan Hawthorne.


Available from Amazon and Barnes & Noble.






Coming soon:  Who knows?

©   2017   Clifford Browder

Sunday, November 5, 2017

326. Authors Are Whores


My books

No Place for Normal: New York / Stories from the Most Exciting City in the World.  A selection of posts from this blog.

Historical fiction set in nineteenth-century New York:

1.  The Pleasuring of Men.  A young man becomes a male prostitute in the hidden gay world of that time.
2.  Bill Hope: His Story.  A street kid turned pickpocket pours out his story in a torrent of words.
3.  Dark Knowledge.  A young man fights to discover the truth about his family's involvement in the slave trade.

For details, see below.


Authors Are Whores

         Yes, authors are whores.  A bit strained as an analogy, perhaps, but think about it.  Big presses and small demand that their authors participate actively in marketing.  Just as streetwalkers offer their bodies to whoever is interested, so authors like myself have to promote themselves online or in person, marketing their books to the public.  Yes, there are differences: whores offer their bodies, whereas authors offer books.  But those books are part of you, cooked up in your brain and spun out of your gut.  To push the analogy even further, you’re offering your babies, your offspring, your dearest, most cherished progeny.

Me at BookCon 2017, hawking my wares.  I'm not sticking my tongue out;
it just looks that way.  Notice the gimmicks: witty signs, candy.

         And just as prostitutes primp themselves up and dress elegant or gaudy so as to catch the eye of lusting males, so authors and publishers know to make each book’s cover as eye-catching as possible, so as to hook prospective buyers.  And since everybody knows this, and their books are just as eye-catching as your own, the competition gets intense.  And just as streetwalkers know that certain times and places are best for their trade, so authors flock to book fairs and events where prospective buyers are most likely to be found.  

File:Vendor Booths at 2016 Texas Book Festival.jpg
Larry D. Moore

           And just as whores know that their charms will register with some men but not others, so authors at book events like BookCon 2017 at the Javits Convention Center in New York have to get used to some attendees ignoring them or, worse still, lingering at their booth to leaf through a book or two and then put it down and walk away.  Having compared notes with an artist friend who exhibits at the Washington Square Art Show twice a year, I know that artists likewise feel rejected when prospective buyers walk away, until a sale redeems them, enhances their feeling of self-worth, and strengthens them for the tests that lie ahead.

File:Ernst Ludwig Kirchner - Calle con buscona de rojo.jpg
Kirchner's lady in red.  Berlin, circa 1914.

         A personal note: long ago, having just arrived in Paris as a student, I thought it requisite to get a look at the whores of the notorious neighborhood known as Pigalle, which the wartime GIs had christened “Pig Alley.”  One evening, having fortified myself with what was labeled “Pernod Fils,” a pale imitation of the long-banned fearsome absinthe drink of that name, and having stashed a packet of Sheiks in my pocket, I embarked on my perilous adventure with flutters in my virginal gut.  There was a station on the Métro called Pigalle, so that’s where I got off and wandered down the nearest quiet street.  And sure enough, posted at intervals in the shadows, there they were.  “Monsieur …!” purred a short, skinny one in a ratty fur; repelled, I hastened on.  “Eh bien …?” (“How about it?”) said a hefty blonde with a throaty voice and an engaging smile, but her too I hurried past.  Two or three others cast inviting glances and winked or gestured or purred, but not one whetted my appetite.  Finally, having made the requisite effort, I gave it up, left Pigalle by Métro, and retreated to my snug little room in the Hotel François Premier on the Left Bank near the Latin Quarter.  In retrospect I’ll admit that, by virtue of her disarming candor and smile, the hefty blonde came closest to scoring with me.  Closest, but not close enough.  And with these tawdry memories in mind, I hold to my assertion that authors too are whores, repeating in our own somewhat more fastidious way the appeals of the shadowy charmers of Pigalle.

File:Sex shops (Paris)-01.jpg
Pigalle today.  No subtlety, no shadowy charmers.  What you see is what you get.
Ricardo Martins
         But just as not all whores walk the streets, since some are nested in brothels under the guidance of a pimp or a madam, so some authors are lucky enough to find a publisher.  They still hawk their wares, but perhaps less blatantly, and with the help of an experienced promoter with whom they split their profits … always to the advantage of that promoter, who must be recompensed for the costs of promotion. 

File:Minna Everleigh 1895 portrait.jpg
Minna Everleigh awaiting customers in Omaha, Nebraska, 1895.  Later she and her sister Ada opened the Everleigh Club in Chicago, the most luxurious house of prostitution in the country.

File:Girls Playing Cards Storyville Bellocq.jpg
Playing cards while awaiting customers in New Orleans, circa 1911.  I know
just how they felt.  One has so much to offer, with no takers in sight.

         And just as some prostitutes rise to the level of call girls, being available – for a significant price – to those aware of their services, so some authors in time attain the heights of success and the envied status of bestselling author.  They don't have to go to their clients; the clients come to them: to readings and signings, even lining up and waiting a half hour for a few precious minutes with the object of their devotion, as I saw them do at BookCon 2017, where they were finally rewarded with a signature in a book already purchased.  To these authors, the fame and the glory, plus a New York Times obit and, for the most famous, a splendid funeral.

File:Alexandre Dumas 6.jpg
Dumas père.  If he looks smug and privileged, he's entitled.
His works were translated into over one hundred languages.

File:1er juin 1885 - Enterrement Victor Hugo.jpg
Victor Hugo's funeral, Paris, 1885.  How many authors would rate such a send-off?
He's en route to the Pantheon
        The most successful of the bestselling authors might even be likened to the grandes horizontales of nineteenth-century France: cultivated and accomplished demi-mondaines who enjoyed the patronage of some illustrious personage, a minister or noble or affluent capitalist.  Such was Violetta in Verdi’s opera La Traviata, while at the same time embodying that perennial male fantasy, the whore with a heart of gold.  If anyone objects that bestselling authors are by definition known to multitudes of readers, whereas these ladies confined their favors to their benefactor, or at most to a chosen few, I would have to grant the point, while noting that they often presided over a salon frequented by a wider but decidedly male clientele. 

File:ALENÇON, Emilienne d' SIP; 42-7. Photo Reutlinger.jpg
Emilienne d'Alençon (1869-1946).  Here at last is elegance.

         Finally, I will take my analogy one step further and suggest that the whole publishing scene today smacks of whoredom, for publishers too, both big and small, are lustily hawking their authors and books, and competition is fierce, as if a motley crowd of harlots were trying to work the same street, using every trick possible to hook a customer.  Exhibiting at BookCon 2017, I had exactly that feeling for both myself and my fellow exhibitors, each of us using whatever gimmicks we could think of – banners, signs, free bookmarks, flashing lights – to lure attendees to our booth.  Whatever limits my analogy my have, you can’t escape that feeling of exhibiting yourself in public and hoping to score.  Every sale was a score, and it made you feel desirable, wanted, a success.  Yes, authors are whores. 

File:Voltaire-Baquoy.gif


File:Air Force Amy 01.jpg
DeanneSalinger



















         And how about reviewers?  They too are for sale.  Consider Kirkus Reviews, which touts itself as “the most trusted voice in book reviews since 1933,” and whose reviews can make you or break you.  Kirkus offers to review books by indie authors; if the reviews are unfavorable, they can be buried in oblivion, and if favorable, they can be published online, to be discovered by agents, publishers, and readers.  So in this case authors are johns, not whores.  And of course it costs.  For a traditional review, $425; for a longer review, $575; for two books, $699; for three, $999.  And for all categories, these are the minimal prices.  So Kirkus too is a whore, albeit a successful and distinguished one, a true grande horizontale.


File:Jan van Beers The Courtesan.jpg


Note: A shortened version of this post appeared on November 1, 2017, in "The Artist Unleashed," the blog of Vine Leaves Press.  And now I shall hawk my wares. 


BROWDERBOOKS
  

All books are available online as indicated, or from the author.

1.  No Place for Normal: New York / Stories from the Most Exciting City in the World (Mill City Press, 2015).  Winner of the Tenth Annual National Indie Excellence Award for Regional Non-Fiction; first place in the Travel category of the 2015-2016 Reader Views Literary Awards; and Honorable Mention in the Culture category of the Eric Hoffer Book Awards for 2016.  All about anything and everything New York: alcoholics, abortionists, greenmarkets, Occupy Wall Street, the Gay Pride Parade, my mugging in Central Park, peyote visions, and an artist who made art of a blackened human toe.  In her Reader Views review, Sheri Hoyte called it "a delightful treasure chest full of short stories about New York City."

If you love the city (or hate it), this may be the book for you.  An award winner, it sold well at BookCon 2017.


Review 

"If you want wonderful inside tales about New York, this is the book for you.  Cliff Browder has a way with his writing that makes the city I lived in for 40 plus years come alive in a new and delightful way. A refreshing view on NYC that will not disappoint."  Five-star Amazon customer review by Bill L.

Available from Amazon and Barnes & Noble.

No Place for Normal: New York / Stories from the Most Exciting City in the World

2.  Bill Hope: His Story (Anaphora Literary Press, 2017), the second novel in the Metropolis series.  New York City, 1870s: From his cell in the gloomy prison known as the Tombs, young Bill Hope spills out in a torrent of words the story of his career as a pickpocket and shoplifter; his brutal treatment at Sing Sing and escape from another prison in a coffin; his forays into brownstones and polite society; and his sojourn among the “loonies” in a madhouse, from which he emerges to face betrayal and death threats, and possible involvement in a murder.  Driving him throughout is a fierce desire for better, a persistent and undying hope.

For readers who like historical fiction and a fast-moving story.


browder-cover-9781681143057-perfect-2
Reviews

"A real yarn of a story about a lovable pickpocket who gets into trouble and has a great adventure.  A must read."  Five-star Amazon customer review by nicole w brown.

"This was a fun book.  The main character seemed like a cross between Huck Finn and a Charles Dickens character.  I would recommend this."  Four-star LibraryThing review by stephvin.

Available from Amazon.


3.  Dark Knowledge (Anaphora Literary Press, 2018), the third novel in the Metropolis series.  Release date January 5, 2018, but copies now available from the author.  Adult and young adult.  A fast-moving historical novel about New York City and the slave trade, with the sights and sounds and smells of the waterfront. More excerpts to come.

Browder - Cover - 9781681143675-Perfect - 2
The back cover summary:


New York City, late 1860s.  When young Chris Harmony learns that members of his family may have been involved in the illegal pre-Civil War slave trade, taking slaves from Africa to Cuba, he is appalled.  Determined to learn the truth, he begins an investigation that takes him into a dingy waterfront saloon, musty old maritime records that yield startling secrets, and elegant brownstone parlors that may have been furnished by the trade.  Since those once involved dread exposure, he meets denials and evasions, then threats, and a key witness is murdered.  Chris has vivid fantasies of the suffering slaves on the ships and their savage revolts.  How could seemingly respectable people be involved in so abhorrent a trade, and how did they avoid exposure?  And what price must Chris pay to learn the painful truth and proclaim it?


Early reviews

"A lively and entertaining tale.  The writing styles, plot, pace and character development were excellent."  Four-star LibraryThing early review by BridgitDavis.

"At first the plot ... seemed a bit contrived, but I was soon swept up in the tale."  Four-star LibraryThing early review by snash.

"I am glad that I have read this book as it goes into great detail and the presentation is amazing.  The Author obviously knows his stuff."  Four-star LibraryThing early review by Moiser20.


4.  The Pleasuring of Men (Gival Press, 2011), the first novel in the Metropolis series, tells the story of a respectably raised young man who chooses to become a male prostitute in late 1860s New York and falls in love with his most difficult client.

What was the gay scene like in nineteenth-century New York?   Gay romance, if you like, but no porn (I don't do porn).  Women have read it and reviewed it.  (The cover illustration doesn't hurt.)

Reviews

"At times amusing, gritty, heartfelt and a little sexy -- this would make a great summer read."  Four-star Amazon customer review by BobW.

"Really more of a fantasy of a 19th century gay life than any kind of historical representation of the same."  Three-star Goodreads review by Rachel.

"The detail Browder brings to this glimpse into history is only equaled by his writing of credible and interesting characters.  Highly recommended."  Five-star Goodreads review by Nan Hawthorne.


Available from Amazon and Barnes & Noble.






Coming soon:  No idea.



©   2017   Clifford Browder